这部由三大艾美奖获奖演员John Wells、Ann Biderman和Chris Chulack联袂主演的罪案剧,以独特的视角讲述了发生在洛杉矶警察局的警察故事。从风光秀丽的马利布(Malibu)海滩,到错综复杂的东洛杉矶街道,到处都活跃着他们的身影--他们要与犯罪分子作斗争,要与受害人打交道,还要求得家人的理解和支持。 Michael Cudlitz("A River Runs Through It")扮演经验丰富的资深警察John Cooper,奉命指导警队新秀Ben Sherman(Benjamin McKenzie, "The O.C.")。Cooper忠诚、严肃、务实、做事必求结果的工作态度,让浮躁的Sherman怀疑自己是否能当一名合格的警察。 女警探Lydia Adams(Regina King,"Ray," "Jerry Maguire")与母亲同住,照顾母亲是她现在的首要任务。她的搭挡Russell Clarke(Tom Everett Scott, "Boiler Room")是个婚姻不幸的男人,家里还养着三个孩子。Daniel "Sal" Salinger警探(Michael McGrady, "The Thin Red Line")是刑事侦探组的小头目,Nate Moretta警探(Kevin Alejandro, "Drive," "Ugly Betty")和Sammy Bryant(Shawn Hatosy, "Alpha Dog")警探都听从他的指挥。巡警 Chickie Brown(Arija Bareikis, "Crossing Jordan")是个单身母亲,梦想着有朝一日能成为特种武器和战术部队(SWAT)的第一位女性成员。
三十年代的上海滩,黑帮横行、列强分割,要在这里闯出一片天,除了有实力,你还要比别人都要狠。于是,这里成了冒险家的乐园,成了机遇与成功的集散地。任鸿飞(张智霖 饰)和龙五(邵仲衡 饰)都是自幼父母双亡的孤儿,两个无依无靠的孩子成了结拜兄弟,互相帮忙着熬过了艰苦的成长岁月, 两人终于长大成人了。 两人虽然出身下层,但是都有共同的梦想,那就是在上海出人投地。于是,他们决定用自己的拳头闯出名堂。他们开始了刀头舔血的日子,在连番激斗后,两人终于一步步接近他们的目标……
林初宁(钟丽丽 饰)从小在育婴堂长大不识生身父母,视好友小柔为唯一家人。高老板觊觎美色,一怒之下夺去小柔的性命。林初宁想为小柔报仇,却无奈势单力薄。因为一件信物,林初宁怀疑小柔是陆家的孩子,决定利用陆家力量为小柔报仇。为了打入陆家,林初宁有意接近少东家陆司宴(张逸杰 饰),殊不知陆司宴一心想当飞行员,正需要一个用来拒绝联姻的挡箭牌,于是两人一拍即合,开启了各怀鬼胎的恋爱。不料林初宁在陆家宴会上拿出信物当众认亲,成为了陆司宴的姐姐。昔日恋人重聚同一屋檐下,虽以姐弟相称却暧昧横生,不知内情的陆司宴以为自己对亲姐姐产生爱欲,为此饱受折磨…… 根据小说《闪婚后,我被大叔宠上天》改编。
This 7-year series chronicled the adventures of the Impossible Mission Taskforce (IMF), a team of government spies and specialists who were assigned "impossible missions" by the unseen "Secretary". Although the cast varied over the years, the main characters included The Team Leader (Dan Briggs the first season, then Jim Phelps the other six), The Techno-Wizard (Barney Collier), The Strongman (Willy Armitage), The Master of Disguise (first Rollin Hand, then The Amazing Paris), and The Femme Fatale (Cinnamon Carter, Casey, Dana Lambert, Mimi Davis). The series is best known for its opening mission assignment (conducted by a pre-recorded tape), the theme composed by Lalo Schifrin, the leader's selection of mission agents from a dossier, the opening briefing, the intricate use of disguises and a typical "mask pulloff" scene near the end of most episodes, and the relative lack of characterization of the characters.